Zoe Keithley |
1. Tell me a about yourself. What got you started in writing?
Well, it was the Honey
Bunch books. I was four years old and my mother had to take me for long visits
to the eye doctor. She brought a book along and read aloud to me while we
waited. One of those times, I realized that I would like to do that too--tell a
story in print that would take people into another world that I made up. I told
my mother this, and she took some blank paper from her purse and a pen and told
me to start telling the story. That's
where it all started. I wrote in spurts, tried publishing with little success
until I found a very different kind of writing program in my mid-forties at
Columbia College in Chicago called StoryWorkshop. Then the writing became
steady. Lately I have published a book of poems, Crow Song,
A collection of poetry
Find her book at Amazon
and have put three
short stories (3/Chicago) up on Kindle.
A rolling river will follow other short stories, a novella and two novels. At Columbia I earned a degree as
a Master Teacher and took my training into Chicago public school classrooms to
model for teachers for fifteen years. Now, in Sacramento, I lead monthly
writing workshops and am working on two new pieces--one fiction and one
autobiographical. Also I remain a
beginning student of the banjo. What a great life!
I have converted the
"dining" end of my apartment's kitchen as my writing studio. Tucked
into a corner there, I do very well and prefer my laptop unless material is
very deep and/or hesitant. Then I resort to a written journal.
3. What's your favorite part about writing? Your least favorite part about writing?
4. How do you come up with your characters? Why would readers want to get to know them?
Characters either come as
variations of people in real life experiences, or manifest independently,
demanding a story to hold them. That's the same as saying sometimes the story
idea comes first and sometimes the compelling character needs a story to come
first. I never know if readers will want to know my characters. I figure it's
my job to draw them with enough flesh-and-blood and spirit and genuine problems
that they will hook the reader as they have hooked me. I count on myself and my
readers being pretty much cut out of the same cloth. I'm an ordinary person
generally, and think of my audience being more or less like me, human beings
with the experience of human life.
5. What types of marketing do you do to promote your writing?
Other than sending pieces
out to contests and for publication, I am just beginning to do marketing by
publishing on Kindle and using the services of a "promoter" who is
teaching me about marketing. It's a lot of learning to do, but I'm rolling up
my sleeves.
I schedule my writing by a
kind of internal clock and by external demands like deadlines. If I have a
longer story or novel going, it stays in my mind and keeps pulling on me so
that I get to it nearly daily without trouble. After all, I want to find out
how it's going to turn out myself!
Currently I have two new
works started. One is The Woman, The Bear and the Mountain started several
years ago up at Mount Shasta and pretty much continuing when I make trips to
the mountain. I also have very modest beginnings on an autobiography. To write
it, I have given myself permission to make it a hodge-podge of styles and
approaches--whatever suits at the moment of writing, whatever comes when I sit
down to do it. I take that freedom with first draft, and it feels very good with what
might otherwise be a stultifying or boring form.
My project-in-mind, on the back burner, is a small book about some spiritual adventuring I have tried over the years and its results.
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